SICMF 2004 :: Schedule

ConcertsOctober 21(Thu)~24(Sun) 2004, PM 7:30
Jayu Theater at Seoul Arts Center
SeminarsOctober 22(Fri) 2004, PM 4:00 - Andre Bartetzki
"Process and Gestalt - on the composition of structures in my electroacoustic music"
Computer Music Studio at KNUA
October 23(Sat) 2004, PM 3:00 - Uwe Seifert, Jin Hyun Kim
"Media Studies: From Computer Music To Interacitve Media Art"
Computer Music Studio at KNUA
October 24(Sun) 2004, PM 3:00 - Donoung Lee
"Digitalizing of Korean traditional instruments for the future"
Computer Music Studio at KNUA

SICMF 2004 :: Program

October 21 (Thu)
Erdem Helvacioglu (Turkey)
"Below the cold ocean" for Tape
Tae-Hee Kim (Korea)
"Shout" for Soprano, Percussion and Live Audio Processing
Li-Chi Hsieh (Taiwan)
"Dear Falling Angels" for Tape
Gi Nyoung Lee (Korea)
"Sul G" for 2 Vioilins and Tape
Hyun-Suk Jeon (Korea)
"Edge of needle" for Marimba and Tape
Ockmi Han (Korea)
"Composition 040817" for audio-visual
Seongah Shin (Korea)
Regress in Infinity No.4 for solo percussion and live electronics

October 22 (Fri)
Yu-Chung Tseng (Taiwan)
"T.J.CHI" for Tape
Joo-Hyun Kim (Korea)
"Photograph" for Tape
Ki Jong Ha (Korea)
"Small Worlds ¥¶"
Sun-Young Pahg (Korea)
"Relief Oktett" for Tape
Young Jun Choi (Korea)
"Beyond the sonic events" for Live Audio-Visual
Nahm-Hee Chung (Korea)
"Kastalien" for Oboe and Tape

October 23 (Sat)
Werner Cee (Germany)
"Air's Tone" for Tape
Jong Yeoul Chong (Korea)
"Card Game" for Violin and Live Audio Processing
SeongKeun Kim (Korea)
"ô¸. ò¢. ìÑ. (Chon. Zi. In.)" for Audio-Visual
Joao Pedro Oliveira (Portugal)
"a escada estreita" for Flute and Tape
Kyoung-Hee Ha (Korea)
"Electronic Synthesizing of Gray Whale Sound"
Andre Bartetzki (Germany)
"Rondeaux Trouves" for Tape
Jun Kim (Korea)
"Duo/Trio" for Flute, Cello and Live-Electronics

October 24 (Sun)
Paulo C. Chagas (Germany)
"In-sein/Ausser-sein" for Tape
Seung Hye Kim (Korea)
"Fluctuation" for Flute and Live Audio Processing
Joao Mendes (Brazil)
"Dentro da noite de pedra" for Tape
Eunhwa Lee (Korea)
"Canonical fantasia" for 2 DB and computer generated sound
Seungyon-Seny Lee (Korea)
"sotto voce" for Counter Tenor and Live Audio-Visual Processing
Torsten Anders (Germany)
"With Shifting Joints" for Tape
Seunghyun Yun (Korea)
"Halo" for Guitar and Live Electronics


SICMF 2004 :: Maps

For the map information of the Seoul Arts Center, please refer to this site.
The Korean National University of Arts (KNUA) is located next to the Seoul Arts Center.

SICMF 2004 :: Call for Works

Categories

  1. Tape Music
  2. Electroacoustic Music with Instruments (up to 8 players)
  3. Live Electroacoustic Music
  4. Audio-Visual Work (VHS, SVHS, or DVD format)

Rules and Regulations

  1. All compositions had to be realized after 2002 and should be less than 15 minutes long.
  2. All compositions except audio-visual works should be submitted via CD, DAT, ADAT, or DA-88 format.
  3. Scores should accompany pieces that require performers. The number of performers is limited to 8 persons.
  4. For performers requiring specific traditional instruments, composers are responsible for providing performers on location.
  5. Channels for audio playback is limited to 8 channels. ADAT and DA-88 will be provided.
  6. Detailed information regarding live electro-acoustic music pieces such as equipment, hardware, software, etc. should be included with submission.
  7. Composers must attach a short biography and program note for their composition, each of at most 150 words.
  8. Submission must be postmarked no later than April 30, 2004.
  9. All submissions including not accepted ones will be kept by KEAMS, unless specific requests are sent with submissions. Composers retain all rights to their compositions. If a member of a copyright association, copyright and royalty issues will be dealt accordingly.

Submission Address:

  • KEAMS, Computer Music Studio (Prof. Donoung Lee)
    The College of Music, Hanyang University
    17 Haengdang-dong, Seongdong-Gu
    Seoul, Korea 133-791

Decisions on selections

  • Decisions on selections will be emailed individually in May, 2004.

Any further questions?