SICMF 2004 :: ÀÏÁ¤
| ¿¬ÁÖȸ | 2004³â 10¿ù 21ÀÏ(¸ñ)~24ÀÏ(ÀÏ) Àú³á 7:30 ¿¹¼úÀÇÀü´ç ÀÚÀ¯¼Ò±ØÀå |
| ¼¼¹Ì³ª | 2004³â 10¿ù 22ÀÏ(±Ý) ¿ÀÈÄ 4:00~6:00 - Andre Bartetzki "³ªÀÇ ÀüÀÚÀ½¾Ç ¼Ó ±¸¼º Á¶Á÷ÀÇ Ã³¸®¿Í ÇüÅÂ" Çѱ¹¿¹¼úÁ¾ÇÕÇб³ 4Ãþ ÀüÀÚÀ½¾Ç½Ç |
| 2004³â 10¿ù 23ÀÏ(Åä) ¿ÀÈÄ 3:00~6:00 - Uwe Seifert, ±èÁøÇö "¹Ìµð¾î ¿¬±¸: ÄÄÇ»ÅÍ À½¾ÇÀ¸·ÎºÎÅÍ ÀÎÅÍ·¢Æ¼ºê ¹Ìµð¾î ¾ÆÆ®±îÁö" Çѱ¹¿¹¼úÁ¾ÇÕÇб³ 4Ãþ ÀüÀÚÀ½¾Ç½Ç | |
| 2004³â 10¿ù 24ÀÏ(ÀÏ) ¿ÀÈÄ 3:00~5:00 - À̵·ÀÀ, ÃÖ¿µÁØ "¹Ì·¡ÀÇ ±¹¾ÇÀ» À§ÇÑ ±¹¾Ç±âÀÇ µðÁöÅÐÈ" Çѱ¹¿¹¼úÁ¾ÇÕÇб³ 4Ãþ ÀüÀÚÀ½¾Ç½Ç |
SICMF 2004 :: ÇÁ·Î±×·¥
| 10¿ù21ÀÏ(¸ñ) |
| Erdem Helvacioglu (Turkey) "Below the cold ocean" for Tape |
| ±èÅÂÈñ (Çѱ¹) "Shout" for Soprano, Percussion and Live Audio Processing |
| Li-Chi Hsieh (Taiwan) "Dear Falling Angels" for Tape |
| À̱â³ç (Çѱ¹) "Sul G" for 2 Vioilins and Tape |
| ÀüÇö¼® (Çѱ¹) "Edge of needle" for Marimba and Tape |
| ÇÑ¿Á¹Ì (Çѱ¹) "Composition 040817" for audio-visual |
| ½Å¼º¾Æ (Çѱ¹) Regress in Infinity No.4 for solo percussion and live electronics |
| 10¿ù22ÀÏ(±Ý) |
| Yu-Chung Tseng (Taiwan) "T.J.CHI" for Tape |
| ±èÁÖÇö (Çѱ¹) "Photograph" for Tape |
| ÇϱâÁ¾ (Çѱ¹) "Small Worlds ¥¶" |
| ¹Ú¼±¿µ (Çѱ¹) "Relief Oktett" for Tape |
| ÃÖ¿µÁØ (Çѱ¹) "Beyond the sonic events" for Live Audio-Visual |
| Á¤³²Èñ (Çѱ¹) "Kastalien" for Oboe and Tape |
| 10¿ù23ÀÏ(Åä) |
| Werner Cee (µ¶ÀÏ) "Air's Tone" for Tape |
| Á¤Á¾¿ (Çѱ¹) "Card Game" for Violin and Live Audio Processing |
| ±è¼º±Ù (Çѱ¹) "õ.Áö.ÀÎ." for Audio-Visual |
| Joao Pedro Oliveira (Æ÷¸£Åõ°¥) "a escada estreita" for Flute and Tape |
| ÇϰæÈñ (Çѱ¹) "ÀüÀÚÀ½Çâ ÇÕ¼º¿¡ ÀÇÇÑ ±Í½Å°í·¡ ¼Ò¸® º¯¿ë -±Í½Å°í·¡ÀÇ ¿©Á¤-" |
| Andre Bartetzki (µ¶ÀÏ) "Rondeaux Trouves" for Tape |
| ±èÁØ (Çѱ¹) "Duo/Trio" for Flute, Cello and Live-Electronics |
| 10¿ù24ÀÏ(ÀÏ) |
| Paulo C. Chagas (µ¶ÀÏ) "In-sein/Ausser-sein" for Tape |
| ±è½ÂÇý (Çѱ¹) "Fluctuation" for Flute and Live Audio Processing |
| Joao Mendes (ºê¶óÁú) "Dentro da noite de pedra" for Tape |
| ÀÌÀºÈ (Çѱ¹) "Canonical fantasia" for 2 DB and computer generated sound |
| À̽¿¬ (Çѱ¹) "sotto voce" for Counter Tenor and Live Audio-Visual Processing |
| Torsten Anders (µ¶ÀÏ) "With Shifting Joints" for Tape |
| À±½ÂÇö (Çѱ¹) "Halo" for Guitar and Live Electronics |
SICMF 2004 :: ¾àµµ
| ¿¹¼úÀÇÀü´ç À§Ä¡´Â ¿¹¼úÀÇÀü´ç ÀÌ¿ë¾È³» »çÀÌÆ®¸¦ ÂüÁ¶ÇϽñ⠹ٶø´Ï´Ù. ÁÖÂ÷µµ °¡´ÉÇϳª ÄܼƮȦ µîÀÇ ¿¬ÁÖȸ µîÀ¸·Î ¸Å¿ì È¥ÀâÇÒ ¼ö ÀÖÀ¸´Ï ¼µÑ·¯ ¿À¼Å¾ß ÇÕ´Ï´Ù. Á¦2,3,4ÁÖÂ÷ÀåÀ» ÀÌ¿ëÇÏ½Ã¸é °¡±î¿ì³ª, Á¦1ÁÖÂ÷ÀåÀ» ÀÌ¿ëÇϼŵµ µË´Ï´Ù. |
| ¼¼¹Ì³ª°¡ ÁøÇàµÇ´Â Çѱ¹¿¹¼úÁ¾ÇÕÇб³´Â ¿¹¼úÀÇÀü´ç ³»(ÄܼƮȦ°ú ±¹¸³±¹¾Ç¿ø »çÀÌ)¿¡ ÀÖ½À´Ï´Ù. ¹ö½º¸¦ ÀÌ¿ëÇÒ °æ¿ì ±¹¸³±¹¾Ç¿ø¿¡¼ ³»¸®½Ã¸é µÇ°í, ÁÖÂ÷´Â ¿¹¼úÀÇÀü´ç Á¦1ÁÖÂ÷ÀåÀ» ÀÌ¿ëÇÏ½Ã¸é °¡±õ½À´Ï´Ù. |
SICMF 2004 :: ƼÄÏ Á¤º¸
| ¿¬ÁÖȸ ÀÔÀå·á ÀϹÝ: 10,000¿ø / Çлý: 5,000¿ø ƼÄÏ¿¹¸Å: ƼÄϸµÅ© |
| ÇÁ¸®ÆÐ½º (Àü 4ȸ ¿¬ÁÖȸ¸¦ ÀÔÀåÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù) ÀϹÝ: 20,000¿ø / Çлý: 10,000¿ø ÇÁ¸®ÆÐ½º ±¸ÀÔ¹æ¹ý: (02) 520-8106 À¸·Î ÀüÈ(¿ù~±Ý 09:00~18:00)ÇÏ¿© ¼º¸í°ú ¿¬¶ôó¸¦ ¾Ë·ÁÁÖ½Ã¸é ¿¬ÁÖȸ ´çÀÏ ±¸ÀÔÇÒ ¼ö ÀÖ½À´Ï´Ù. ÇÁ¸®ÆÐ½º´Â ¿¬ÁÖȸÀå Á¼®¼ö¿¡ µû¶ó ÇÑÁ¤ ÆÇ¸ÅµÇ´Ï ¹Ì¸® ¿¹¾àÀ» ÇÏÁö ¾Ê´Â °æ¿ì ±¸ÀÔÀÌ ºÒ°¡´ÉÇÒ ¼öµµ ÀÖ½À´Ï´Ù. |
SICMF 2004 :: ÀÛǰ°ø¸ð
Á¦11ȸ ¼¿ï±¹Á¦ÄÄÇ»ÅÍÀ½¾ÇÁ¦ 2004 ÀÛǰ °ø¸ð
¸¶°¨
- 2004³â 4¿ù 30ÀÏ
ºÐ¾ß
- Å×ÀÔ À½¾Ç
- ¾Ç±â¿Í ÀüÀÚÀ½Çâ (¿¬ÁÖÀÚ8¸í±îÁö)
- ½Ç½Ã°£ ÀüÀÚÀ½¾Ç
- ¿Àµð¿À-ºñÁê¾ó ÀÛǰ (VHS, SVHS, DVD µî °¡´É)
±ÔÄ¢
- ÀÛǰÀº 2002³â ÀÌÈÄ¿¡ ¿Ï¼ºµÇ¾îÁø °ÍÀ¸·Î 15ºÐ ±æÀÌ ¹Ì¸¸
- ¿Àµð¿À-ºñÁê¾ó ÀÛǰÀ» Á¦¿ÜÇÑ ÀÛǰÀº CD, DAT, ADAT, DA-88ÀÇ Æ÷¸Ë Áß Çϳª·Î Á¦ÃâµÇ¾î¾ß ÇÔ
- ¿¬ÁÖÀÚ¸¦ ÇÊ¿ä·Î ÇÏ´Â °æ¿ì 8¸í±îÁö °¡´ÉÇϰí, ¹Ýµå½Ã ½ºÄھ Á¦ÃâÇØ¾ß ÇÔ
- Ưº°ÇÑ ¾Ç±â¸¦ ÇÊ¿ä·Î ÇÏ´Â °æ¿ì ÀÛ°î°¡°¡ ÁغñÇØ¾ß ÇÔ
- ¸ÖƼä³Î ÀÛǰÀº 8 ä³Î±îÁö °¡´ÉÇÔ.
- ½Ç½Ã°£ ÀüÀÚÀ½¾ÇÀÇ °æ¿ì ÇÊ¿äÇÑ Àåºñ, ¼ÒÇÁÆ®¿þ¾î µîÀÇ ¸ñ·ÏÀ» °î Á¦Ã⠽à ÇÔ²² Á¦ÃâÇØ¾ß ÇÔ
- ÀÛ°î°¡´Â ÇÁ·ÎÇʰú °î¼³¸íÀ» °¢°¢ 150´Ü¾î À̳»·Î Á¦ÃâÇØ¾ß ÇÔ
- Á¦Ãâ ¸¶°¨Àº 2004³â 4¿ù 30ÀϱîÁöÀÓ
- Á¦Ãâ¹°Àº äÅà ¿©ºÎ¿Í »ó°ü¾øÀÌ ¹Ý³³µÇÁö ¾ÊÀ½. ±×·¯³ª ÀúÀÛ±ÇÀº ¿©ÀüÈ÷ ÀÛ°î°¡°¡ Áö´Ô.
Á¦ÃâÇÒ °÷
- ¼¿ïƯº°½Ã ¼ºµ¿±¸ Çà´çµ¿ 17
ÇѾç´ëÇб³ ÀüÀÚÀ½¾Ç½Ç (À̵·ÀÀ ±³¼ö)
¿ìÆí¹øÈ£ 133-791
½É»ç°á°ú
- ½É»ç°á°ú´Â 2004³â 5¿ù Áß °³ÀÎ À̸ÞÀÏ·Î Å뺸
±âŸ ¹®ÀÇ
